So it's been a week or two now since I've officially re-relocated back to Columbus, effectively bringing an end to five months of exile from Ohio. Perhaps predictably, the worst part about being out of Ohio for so long was going through rock withdrawl, as there's no discernable "scene" in South-Central Pennsylvania.
I was really bored during the exile, so I may or may not have made a list of the stupidest things I've done over the past three or four years. In the interest of cutting to the chase, I'll skip numbers one and two on that list and jump to number three: Missing so many shows in Columbus over the past couple of years. My main excuse for my relative hermitism (compared to my glory days as an intrepid Cleveland teen in the mid-to-late-90's) is that I spent too much time worrying about the in's and out's of things like Younger abstention, CREXAC, fee tails, and the Best Interests of Baseball rule (and, maybe more accuarately, worrying about not worrying about these things). But no more. Everything's in proper order now, and I'm getting back to getting my regular doses of rock.
Anyway, one of the bands I've missed all-too-much is Psychedelic Horseshit, whose new album, Magic Flowers Droned, is out this month.

While I haven't been able to give the record as much attention as it deserves, I can say it's a good one. (Maybe, just maybe, a classic, but I guess only time will tell.) Really, it's a good, well-constructed, old-fashioned rock album (with a beginning, middle, and end!) filtered through the classic Ohio lo-fi sheen. Based on some of the reviews I've seen, the easy way out has been to compare PH to Times New Viking, based on general personal association, proximity, career arc (DIY-CDR-Siltbreeze), and the fact that TNV members are variously listed in the record's credits. While I'd wager it's always a good thing to be mentioned alongside TNV, PH's got their own good thing going on.
My favorite stuff is the pop tunes, like "Can't Get Enough" and "Mouth Disciples", but it's all choice. Production-wise, it's the best of lo-fi -- the sound is unique, tailor-made, and generally incapable of duplication. Critically, phrases like "shit-gaze" and "practice rock" are thrown around, and I guess they make sense, but I stick with my time-honored, generic "good". Dig the transcendent organ blasts and brilliant, sloppy guitar solo on "Portals". Check the lines "We are all rather dull / Everything that you see, rather dull / And the people that you meet, rather dull" over an Ohio Wall of Sound that forms "Rather Dull", or lyrics like "An entire generation with no one to believe . . . they namecheck folk artists and sing with a sneeze" jiving with the trashy pop of "New Wave Hippies."
At first, the noisier stuff toward the end of the record (see "Radar Fences Again" and "Mash Up") can be a bit grating (duh), but I found on my third or fourth listen that there's a lot of nice stuff in there once you get the hang of riding the waves. And speaking of catching waves, I'd be remiss if I didn't mention "Bad Vibrations", given my long-time Wilson Bros. allegiance. While I can't think of where (or, maybe, if) I've heard the refrain's melody before (I suppose it might be Brian Wilson's seasoned with a bit of existential anguish, but, then again, maybe not), it's a great song in its own right, sorta the centerpiece to the record (a fate much more fitting and fortunate than that of its antonymous namesake on Smiley Smile).
After the afore-mentioned heavy-hitting duo of "Radar Fences Again" and "Mash Up", the record closes nicely with another great pop song (driven by a solid bass groove), "Can't Get Enough", which puts a nice bow on the proceedings. Lyrically, the record's a reflection of the times, and with that in mind, I think it's a step in the right direction that PH's final words on Magic Flowers Droned are, "Let's turn the page, and find out what's in store," before, of course, another tasty barrage of guitar puts the proceedings to bed.
Seriously, listen to this record, and thank me -- or better yet, Psychedelic Horseshit -- later.